I’m proud to share my first byline for the New York Daily News! While I’m really proud of the piece and where it landed, my joy is lacking some of its oomph. I recently realized it’s because I can’t share this win with my grandma, who passed away last October. I’ll have to imagine her tears of joy instead of calling her up to hear them.
“Morgan Freeman recently found himself on the #MeToo list, accused of sexual misconduct. As expected, responses generally landed in two categories: horrified belief and staunch disbelief. While puns abound when we decry public figures for bad behavior, the most popular in reference to Freeman speaks to the danger of binary thinking when it comes to toxic masculinity; if Freeman can play God, can he be a devil?”
I’ve been meaning to post this for what seems like forever! On March 10, I got an article published in the New York Times, called “My Grandmother’s Story Is Ending as Mine Begins.”
My grandmother knew she’d succumb to dementia long before she began to lose her memory, as her two older sisters had shared the same fate before they died. She fought against time to write her life story, but she will never see her dream realized.
While you’re here, I recently got another article published, this time in Ravishly, called “‘This Is Us’ Mirrors Watching My Absent Black Father Die of Cancer.”
I have a penchant for multigenerational family dramas. Brothers and Sisters, Parenthood, Six Feet Under — they all make me feel connected to my own family, which is more like Full House than The Brady Bunch. Aunts, uncles, cousins, and a strong matriarch make up the fabric of my day-to-day life. So when This Is Usdebuted, I was all in. What I didn’t expect is that it would touch my heartstrings in a way I hadn’t prepared for.
Four people describe their experiences as children in the rooms of Alateen and Al-Anon and whether it helped them cope with their family member’s addiction.
My mother has attended Al-Anon religiously for as along as I can remember. She left my dad when I was three after a particularly bad physical fight, in which he slapped her around while intoxicated. We spent that night at my grandmother’s house, and the next day my mom decided we were done for good.
I can’t watch TV without noticing race. I know when the first black extra gets a speaking role on a certain show. I’m aware of whether a white character is dating an Asian, an Asian character is dating a black person, an Indian is dating a Russian… well, you get the picture. So when I checked out some of the new shows in this season’s lineup, I definitely had my subconscious antennae up and wondered if they would satisfy my mixed race reality. I was pleasantly surprised, for the most part.
I’ve never been that interested in time travel shows, or at least those that go back in time instead of forward. Let’s be honest, if you’re a person of color in the United States, it’s best to stay in the present. Even if I get into a classic movie like Mansfield Park, I’m suddenly separated from the protagonist at the first mention of slaves.
The creators of Timeless either naturally wanted to appeal to my demographic, or they did so in order to boost ratings. Whatever their motives, it seems to have worked. Rufus Carlin, played by Malcolm Barrett, is a genius coder who flies the time machine, as he and his companions try to thwart a possible villain at crucial moments in history. Carlin gets to tell off racists of past centuries while, of course, hoping not to get shot dead in the process. Since he’s a central character and not another Rue, I’m guessing he gets to live.
There’s nothing extra special about Notorious race wise, but it does co-star one of my celebrity crushes, mixed race actor Daniel Sunjata. He plays opposite Piper Perabo’s Julia George, and the two have a professional yet flirty relationship as a news producer and a criminal defense attorney, respectively. While the race representation in this show is fairly standard, I’m enjoying seeing a mixed race lead.
One thing that does leave me wanting, though, is the portrayal of Sunjata’s brother Bradley Gregorian, played by J. August Richards. It’s not apparent what Richard’s role is yet, given he only gets about five lines an episode, if that, and mostly to give Sunjata’s character Jake Gregorian an emotional compass. It’s also slightly annoying that Richards and Sunjata look nothing alike, and not just color wise. It’s as if the casting director thought, “Here’s another black actor. He’ll do for the brother,” without considering that not all black people look alike.
I couldn’t get past the first episode of The Good Place, and even that was a bit excruciating. It’s not so much the race representation in this show that leaves me wanting; rather, the storyline just seems a bit (very) bland. However, it does irk me that the central conflict seems a cheap knockoff of Selfie, which was tragically cut short after one season. Both shows center around a white female protagonist who tries to be good through the influence of a male protagonist of color.
In Selfie, Karen Gillan and John Cho’s characters had sexual tension that put the storyline into the well-known “will they or won’t they” category, which worked for this couple. However, in The Good Place (at least through the first episode), Kristen Bell’s Eleanor Shellstrop has no redeeming qualities and no interest in her “assigned soulmate” Chidi Anagonye, played by William Jackson Harper. Instead his whole purpose is to teach Eleanor how to be good in the afterlife. Jackson, from Texas, also loses his “Nigerian/Senagalese accent” before the first episode is over, and no one seems to mind.
By far my favorite new show of the season, This Is Us is a sentimental drama about a nontraditional family. The narrative takes place in two different timelines–the present day and the 1970s, and it centers around two white twins and an adopted black baby who was born on the same day and raised with them. The narrative doesn’t gloss over the racial implications of an ethnically blended family, which includes K. Sterling Brown as the adopted son. Nor does it shy away from displaying race-based tension within the family structure itself.
Brown’s character Randall was raised lovingly by his white family, but still desperately seeks to know his troubled black father who’s dying of cancer. It’s a storyline all to familiar to me: it’s one I’ve lived. This Is Us‘s blending of Shonda Rhimes-like racial exploration with Parenthood-like sentimentality makes for the perfect fall favorite.
I look forward to the next episodes of each of these shows (well, except The Good Place), and I’m enjoying seeing plotlines that include relatable roles.
When my dad died, it didn’t feel like he went to heaven or hell, or to any other afterlife that man could imagine. Instead, it just felt like he ceased to exist. That in his last breaths, he just vanished. A man who once was and would never be again.
In the years since he’s been gone, though, I’ve felt him closer to me, even closer than he was in life. I don’t expect anyone to really understand what I mean, unless they too have lost a parent. Sure, we say things like, “He knows,” when someone wishes her father had been alive to watch her graduate from college. We say, “He’s still with you.” “He’s watching over you.” But I never could have understood the depth and truthfulness of these statements until I was the one who was experiencing them.
Things hit me now in a way they never would have previously. At the end of Flight, I broke down in tears in the middle of the movie theater. At the end of Interstellar just now, I did the same thing. I won’t give away either of the endings, for those who haven’t yet seen these amazing movies, but let’s just say that they touched a chord in ways they never would have had my father not been dead, even though I’ve been extremely sentimental my whole life.
When my dad died, I felt nothing, even though I felt like I should. I was too close to our disconnect to really appreciate and understand the man that he was. I was 24 at his funeral, which I organized and put on myself. I hardly knew the man I was saying goodbye to. Over the next 15 years, I slowly began to uncover who my dad was, largely through my mom’s memories of his memories, even though they hadn’t been together since I was three. I’ve also uncovered the man he was through his various paperwork throughout life that I’d tucked away after his death and then forgotten, probably in a way to protect myself from grief. Newspaper clippings, essays, letters to me… All artifacts that describe a life forgotten, or a life never fully known.
As each year passes, I become even more obsessed with connecting with my father, and with each passing year he feels closer to me than he did the year before. It’s almost as if I could reach out and touch him, or as if even that would be too limiting, because his presence is more palpable than anything related to skin or bone.
When I was about 11, my dad almost died of stomach cancer. After his recovery, he recounted an out-of-body experience on the operating table. He remembers the pads shocking him back to life, and he remembers watching himself from a corner of the room and wondering whether to return. My dad returned because he felt like his life was destined to be great.
My dad died on Section 8 housing and he hadn’t paid rent in about three months. His death would be swift but painful… There were only three weeks between his lung cancer diagnosis and his last breath. He died in a nursing home after reaching for his urinal which was placed a little too far away. My dad, the fighter, died after falling out of bed, just because he needed to pee.
My dad never reached the greatness that he felt he was destined for. But, maybe, I was his greatness. Maybe my half-brother Robert, and my half-brother Marc, are his greatness. Maybe his greatness is in the siblings we’ll never know and the ones we don’t even know we have.
Sometimes I feel like I don’t really exist. It seems impossible somehow to really be somewhere when my dad has passed on. How can I have arms and legs and words and breath if my dad has none? How can I wake up every morning if he never can? It’s not that I think I can’t live without him. Rather, it’s that it just doesn’t make sense. If he’s not really here, how can I still be?
My dad gives me little clues that he’s still around. I won’t even mention them here, because a blog post can’t do them justice. Let’s just say he’s still looking down, not from heaven, but from love, and it’s a love that transcends words and time, and instead exists in a higher dimension.