I’ve been meaning to post this for what seems like forever! On March 10, I got an article published in the New York Times, called “My Grandmother’s Story Is Ending as Mine Begins.”
My grandmother knew she’d succumb to dementia long before she began to lose her memory, as her two older sisters had shared the same fate before they died. She fought against time to write her life story, but she will never see her dream realized.
While you’re here, I recently got another article published, this time in Ravishly, called “‘This Is Us’ Mirrors Watching My Absent Black Father Die of Cancer.”
I have a penchant for multigenerational family dramas. Brothers and Sisters, Parenthood, Six Feet Under — they all make me feel connected to my own family, which is more like Full House than The Brady Bunch. Aunts, uncles, cousins, and a strong matriarch make up the fabric of my day-to-day life. So when This Is Usdebuted, I was all in. What I didn’t expect is that it would touch my heartstrings in a way I hadn’t prepared for.
Beginning in 2006, I slept 12 hours most nights and often took a two-hour nap in the afternoon. I wasn’t lazy — I was exhausted. I talked slowly, moved slowly and had difficulty driving because my brain couldn’t keep up…
Historically black Talladega College was widely criticized for its decision to have its marching band participate in President-elect Trump’s inauguration parade. Much of the uproar has to do with black colleges’ roots in combating unequal education, a feat that many argue will deteriorate under Trump’s presidency…
By now, just about everyone has heard of the 2016 film Hidden Figures, starring Taraji P. Henson, Octavia Spencer, and Janelle Monáe, who portray of a group of black female “computers” at NASA’s Langley Research Center. The film, which has already garnered a number of awards, cast these once unsung pioneers into the public eye…
As I binge-watched Gilmore Girls: A Year in the Life, every so often, I checked my email to see if my article about the original series had been accepted for publication. This constant tug at my attention felt surreal, as the protagonist Rory was going through the same anxiety throughout much of the revival…
I didn’t want to cry. I had seen the trailer for Loving, and honestly, I was afraid it was going to be a subpar movie. Partly because I thought the trailer sentimental in a Hallmark-y sort of way, and partly because I wasn’t sure Hollywood could do an interracial story justice…
That’s about it for now! You can see more of my articles by clicking on the “Portfolio” tab at the top of this page.
I can’t watch TV without noticing race. I know when the first black extra gets a speaking role on a certain show. I’m aware of whether a white character is dating an Asian, an Asian character is dating a black person, an Indian is dating a Russian… well, you get the picture. So when I checked out some of the new shows in this season’s lineup, I definitely had my subconscious antennae up and wondered if they would satisfy my mixed race reality. I was pleasantly surprised, for the most part.
I’ve never been that interested in time travel shows, or at least those that go back in time instead of forward. Let’s be honest, if you’re a person of color in the United States, it’s best to stay in the present. Even if I get into a classic movie like Mansfield Park, I’m suddenly separated from the protagonist at the first mention of slaves.
The creators of Timeless either naturally wanted to appeal to my demographic, or they did so in order to boost ratings. Whatever their motives, it seems to have worked. Rufus Carlin, played by Malcolm Barrett, is a genius coder who flies the time machine, as he and his companions try to thwart a possible villain at crucial moments in history. Carlin gets to tell off racists of past centuries while, of course, hoping not to get shot dead in the process. Since he’s a central character and not another Rue, I’m guessing he gets to live.
There’s nothing extra special about Notorious race wise, but it does co-star one of my celebrity crushes, mixed race actor Daniel Sunjata. He plays opposite Piper Perabo’s Julia George, and the two have a professional yet flirty relationship as a news producer and a criminal defense attorney, respectively. While the race representation in this show is fairly standard, I’m enjoying seeing a mixed race lead.
One thing that does leave me wanting, though, is the portrayal of Sunjata’s brother Bradley Gregorian, played by J. August Richards. It’s not apparent what Richard’s role is yet, given he only gets about five lines an episode, if that, and mostly to give Sunjata’s character Jake Gregorian an emotional compass. It’s also slightly annoying that Richards and Sunjata look nothing alike, and not just color wise. It’s as if the casting director thought, “Here’s another black actor. He’ll do for the brother,” without considering that not all black people look alike.
I couldn’t get past the first episode of The Good Place, and even that was a bit excruciating. It’s not so much the race representation in this show that leaves me wanting; rather, the storyline just seems a bit (very) bland. However, it does irk me that the central conflict seems a cheap knockoff of Selfie, which was tragically cut short after one season. Both shows center around a white female protagonist who tries to be good through the influence of a male protagonist of color.
In Selfie, Karen Gillan and John Cho’s characters had sexual tension that put the storyline into the well-known “will they or won’t they” category, which worked for this couple. However, in The Good Place (at least through the first episode), Kristen Bell’s Eleanor Shellstrop has no redeeming qualities and no interest in her “assigned soulmate” Chidi Anagonye, played by William Jackson Harper. Instead his whole purpose is to teach Eleanor how to be good in the afterlife. Jackson, from Texas, also loses his “Nigerian/Senagalese accent” before the first episode is over, and no one seems to mind.
By far my favorite new show of the season, This Is Us is a sentimental drama about a nontraditional family. The narrative takes place in two different timelines–the present day and the 1970s, and it centers around two white twins and an adopted black baby who was born on the same day and raised with them. The narrative doesn’t gloss over the racial implications of an ethnically blended family, which includes K. Sterling Brown as the adopted son. Nor does it shy away from displaying race-based tension within the family structure itself.
Brown’s character Randall was raised lovingly by his white family, but still desperately seeks to know his troubled black father who’s dying of cancer. It’s a storyline all to familiar to me: it’s one I’ve lived. This Is Us‘s blending of Shonda Rhimes-like racial exploration with Parenthood-like sentimentality makes for the perfect fall favorite.
I look forward to the next episodes of each of these shows (well, except The Good Place), and I’m enjoying seeing plotlines that include relatable roles.
Ten years ago, I was suffering from undiagnosed sleep apnea, and I “slept” about 16 hours a day in my aunt and uncle’s basement in Carnation, Washington–a little town just outside of Seattle. Each night before bed, I’d watch a bit of Grey’s Anatomy, which, while filmed in California, is set in a fictional Seattle hospital.
Fast forward a decade, and I just spent an evening with Jason George, aka Dr. Ben Warren, at a private event put on by Multiracial Americans of Southern California. Jason approached MASC about raising money for the organization by hosting a fundraiser with himself as the prize.
Jason is married to Indian poet Vandana Khanna, and together they have three children. His family represents the growing multiracial demographic of the United States, which is accurately reflected in the makeup of Southern California. Jason’s mission is to embrace and celebrate this cultural shift and views it as a way to bring people together. He certainly did that tonight, by checking any “celebrity-ness” at the door and mingling warmly with us everyday folk.
Caitlin S. of Tennessee was the lucky winner of the fundraiser, though she says it took her a while to believe it wasn’t a scam. She hesitantly called to confirm her prize, and then sat speechless at work. She brought along her good friend Elessia whom she’s known since college at Southern Adventist University. Caitlin and Elessia say their friendship was almost instantaneous, and they text each other multiple times a day.
Even on the plane ride over, Caitlin and Elessia weren’t sure they hadn’t fallen prey to some elaborate scheme, but their luck wasn’t too good to be true. MASC put them up in a hotel for an extended weekend, and they spent a busy day chatting up Grey’s Anatomy cast members on set, sitting in on ON with Mario Lopez, and then chilling at a private screening of the Grey’s season premiere with Jason and some of the MASC crew.
As we watched the episode, Jason treated us to tidbits of behind-the-scenes information. Having stopped watching Grey’s at the end of season five when it seemed like one catastrophe too many, I was pretty out of the loop; though now that I’ve met a cast member, I may find myself picking up where I left off. Regardless, it was a quintessential Hollywood experience to watch an intimate taping, and I felt like my life had come full circle from those dire, sleep deprived days.
Conversation was lively and continued even after the scheduled event. Jason, Caitlin, Elessia and many MASC members reconvened in the main part of the cafe, and I and two friends of mine, one Colombian and Indian and the other Black and White, stood talking in the warm Santa Ana winds about our experiences with race, the current political system, and our beliefs about how to improve the world we live in. Tonight we got a taste of what that world could look like, as races came together in unity and understanding.
Yesterday I watched the most recent episode of The Bachelor on Hulu, and I’m sorry if this is going to ruin the anticipation for anyone, but Jubilee got sent home in the middle of the cocktail party.
I’ve watched The Bachelor and The Bachelorette franchise off and on for years. When I start a season, I always continue until the end, but I’m not drawn to it every season. This season, however, will be the first one that I end abruptly, and I’m not sure if I ever want to watch the show again.
The Bachelor and Bachelorette had always been a fun diversion — a way to witness interactions between people, root for favorite contestants, and wince at relationships between houseguests or between men and women that go extremely sour.
This season was different though, because of Jubilee (which I wrote about here). I’ve always felt a bit removed from the show. I’ve always been intimately aware that my life differs greatly from any of the girls who vie for the guy’s hearts (and I’m usually not much into the guy’s heart anyway). But with Jubilee’s date with Ben, I finally saw myself in a contestant. Not just because she was Black, but because she was Black with very similar struggles as my own.
I kind of knew when Ben put Jubilee on a pedestal that she would inevitably come crashing down. Not because she’d do anything wrong, but because pedestals are very lonely and unsteady places to be. Jubilee was for Ben what many Black women are to men — and sadly not just to White men like Ben.
After Ben said goodbye to Jubilee, with the same expression and many of the same words that I’ve heard during my own breakups, I said goodbye to The Bachelor. I just couldn’t do it anymore. I also remembered something I’d written when I was about 21, and I dug it up to share with my readers.
This essay is a very hard one to share, because it touches on things that are very personal, and I wrote it completely stream of consciousness at the height of emotion. Though it’s a bit exposing, I think it’s important to share with my readers because I’m guessing at least one of you feels now the way I did then. The family relationships I’ve mentioned in the essay have now been strengthened, I now know certain struggles aren’t so black and white, and those romantic relationships are a thing of the past. That last line of the essay? It’s where I am now.
Anyway, without further ado, here’s what I wrote back in 1998.
Back Seat Girl
It happened to me again today. Sarah* was with me, getting milk. Chad* and Adam* were in the electronics department. I have learned to like Sarah, to become her friend. But then, as she tells me she won’t be home when her parents call, she says, “Oh, they’ll understand, because they know about Chad.” I respond, “Oh, are you guys dating or something?” (I say this quite calmly, but in my mind I am screaming, because I am once again on the outside of the circle.)
“Well, I don’t know,” she replies. “I don’t really know what’s going on.” She also says this calmly, and adds emphasis by shrugging her shoulders as if tossing the idea out of her uninterested mind. But I know inside, she is bursting to know if they will in fact have a romance. I drop the subject. I realize that I am always in the back, while she is always in the front. Does she get the front seat because her father is a missionary? Because she is a prize? I see them talk. I see him express concern to her about missing her parents’ call because of the outing I have requested.
I am taken back to Southern California, to the long freeway drive to Disneyland, to David* and Patricia* in the front seat, to me, in the back of the van (the extra, invisible guest). I am taken back to observing them from my place in the back, to watching them flirt, to seeing her get out of her seat and kneel in the middle so that he could put his arm around her. I remember the tears. I remember the desperation I felt. I remember the pain, and the pain returns, and it runs down my cheeks in a salty stream. The pain is a little girl, watching her mommy flirt with a man who would rule her life, a man who would separate her from her mother’s protective love, a man who would place this little girl on the outside of the circle.
I remember driving Daniel* and Kim* around. I remember how when I moved away, Daniel got a truck and Kim was the one to be the front seat girl. I remember the agony I felt as she told me about their minute-long kiss in this front seat. My boyfriend and my best friend. “You thought you were so special,” a voice inside me said. “But remember your place.”
I remember the community group of my church. I remember sitting in that wealthy house, I remember sitting in that circle, sharing about our lives. I remember the man I thought attractive. The man who pursued another girl after the meeting. A girl who had spoken of her father, who was known in the Christian circle. “So that man is really your father?” the young man asks. “Yes,” she replies, with pride. The man thinks her a prize. The man asks her if she needs a ride home. “No,” she replies. (She has a father, remember? A father who provides for her needs.) To him, I am invisible. The man does not ask me to be a front seat girl. My father was a prisoner. Does that make him lacking in love for his daughter? Does that make me any less of a prize? Does that mean I am destined to be a backseat girl?
I remember home. I remember the house in Santa Cruz that I called home. I remember the house that I called home, but wasn’t. I remember the loving arms that held me for a moment, only to let me go. Those arms in which I was not allowed to get comfortable. Those arms of my grandmother who said, “You are special, but you do not belong here.”
I remember the holidays. I remember all the families coming together to form a whole. All of those immediate families that I was not a part of. I remember all of the families grouping together, in order to introduce us to a new relative. But where do I go? Where is my “mother,” my “father,” my “sister,” my “brother”? I see the new man’s eyes scan his relations. I see his eyes come to me. They are puzzled, perplexed, these eyes of his. As if he is seeing a rose among poppies. “She is not in the circle,” his eyes say. I smile, pretending that I do not know my difference. Pretending that I am indeed a poppy among poppies.
I feel like a girl in a candy store. I feel like a black girl in a candy store. I feel like a black girl in a candy store in the segregated South. I stand there, my mouth watering as I look at the delicious candy. I see the girls line up, one after the other, buying their chocolate. I approach the man behind the counter. No, his face tells me in a cold stare. This is not your place. This is not for you. I watch, my heart growing hard.
The man takes me into the back and whispers in my ear, “You can have the chocolate if you work for it.” I reluctantly agree. I feel cheated that I have to work for my chocolate, and the other girls merely pay with the coins given them by their fathers.
I pick up a broom, and I sweep. I pick up a mop, and I scrub. I am proud of my good deeds. I approach the man behind the counter, but he is not satisfied, so I give some more of my hard labor. “It will pay off,” I say to myself. “Soon I will have the best chocolate in the world. It will turn around and I will be the girl buying chocolate at the counter.”
Hours turn into days. My circle of friends disappear. They are upset that I spend all of my time working at the store. But they don’t understand—Just a couple more chores and it will all turn around. Just a couple more hours and I will be the girl buying chocolate at the counter.
Each day I work, I watch the white girls go up to the counter. I see them buy their chocolate. I become dismayed. I feel angry. I feel cheated. I feel second-class. I long for the man behind the counter to give me my candy, but he never does.
Anyone who watches The Bachelor knows what happened Monday night between Jubilee and the other members of the house. For anyone not familiar with the show, allow me to fill you in.
The Bachelor, like many reality TV shows, is known for being extremely whitewashed. This season, one of the few people of color has lasted through a one-on-one date, which sadly is especially surprising since she’s Haitian and very dark-skinned. Naturally, Jubilee had a hard time opening herself up both to Bachelor Ben and then to the other women in the house.
Jubilee is a refugee and U.S. war veteran who was adopted after her entire family perished in Haiti. I’m not adopted, my family didn’t perish, and I didn’t go to war, but I still understood Jubilee’s reserve.
When Ben used words like “strong” and “genuine” to describe her on their one-on-one date, that also felt intimately familiar. These words have been used to describe me more than any others (even as men are breaking up with me). Jubilee’s date went refreshingly well, and in a way that has never felt so intimately familiar to me, as I usually feel a bit removed from the participants.
Back in the house, the women attacked Jubilee with what a friend accurately described as a “pack mentality.” They questioned what Ben could see in someone who was obviously so different from both him and themselves, with one woman telling the diary cam that Ben needed a soccer mom, not “someone like her.”
Ben stood up for her in a way bachelors rarely do on the show, but I don’t want to focus on that, because, while my instinct is to praise him, he was just acting the way any decent guy should. Instead, I’d like to share a little something I wrote when was 17, which eerily echoes many of Jubilee’s sentiments. It’s a little corny, but bear with me. I was 17, after all.
* * *
I know of a girl who is silenced. I have known her all of my life and I will know her until the end of eternity. Only I know what goes on in her mind. Only I know the untold secrets that lie at the bottom of her heart. She shares them with me and me alone. I am the only one whom she trusts unconditionally.
She is a short girl with dark skin and far darker hair. Her eyes brim over with dreams and ambitions. On her face is a look of longing and of passion. This girl has a deep desire to make a difference and to share her ideas. Yet she rarely ever voices them.
Conversation is hard for the girl. She is afraid of rejection, afraid of being laughed at. What if she opens her mouth to speak and the words that flow from her mouth are met by silent stares? What if she opens her mouth to speak and nothing comes out at all? She is a continuous ground watcher, afraid to look in the eyes of disapproval.
In seventh grade the girl was mostly alone in a crowd. She ate with a group of people whom she hardly knew. She would self-consciously eat her lunch as fast as she could get it down, trying not to draw attention to herself. A year later, a boy from the group was surprised to hear the girl say hi to him. “You never talked before,” he exclaimed. “I thought you were deaf!”
Part of what makes the girl so afraid to speak is that she knows that the physical aspect of her is different. The girl has one eye that doesn’t move properly, which makes it hard to look at people without turning her head to face them. She has a massive head of kinky, layered hair which she can never wear fully loose. The girls with straight, fine hair could never understand that.
Growing up in a Caucasian society, the dark-skinned girl always stands out in a crowd. However, if she is ever around African-Americans, she never fits in there either for her skin is so light. She is too black to be white, yet too white to be black. Mostly, people don’t know what she is. Oftentimes, these differences seem to work against her instead of for her. She is constantly reminded that she sticks out in a crowd and that causes her to fold up in the attempt to be immune to hurt or criticism.
This girl wants someone to listen to her hopes and dreams. The girl wants someone to believe in her who won’t say that her dreams are dreams and nothing more. This girl is me.
* * *
Twenty-five-year-old Jubilee mirrors this younger self. I remember vividly being invited to a game night of white acquaintances when I was about 19. All my high school friends were white, but we all held family secrets and didn’t fit into “normal” society. I drove to the apartment where the game night was hosted, parked my beat-up car, and walked up to the door. I heard the women laughing inside… laughs that seemed so carefree. Laughs that at least in my mind came from girls who had parents who called them and wished them well. Girls whose families helped them navigate the adult world instead of leaving them to their own devices. And I suspected that these girls had never felt judged, ogled or dismissed for their skin.
Now that I’m older, have developed close friendships, and have a family unit that is refreshingly intact, I look men straight in the eye and know my worth even if they don’t. I can walk confidently into a room of women and know I belong there, even though my story is likely much more intense than theirs.
I don’t mind, now, that I’m complicated. Even though the women in tonight’s episode proved that the pack mentality is not dead, it’s comforting to know that I’m not the only one who has felt silenced for standing out in a manner I couldn’t control and now wouldn’t change. Whatever Jubilee’s path ends up being, I hope her future is filled with connections and self-love that she never thought possible. I hope she can stare that soccer mom pack down with fierce confidence.
Spoiler alert for anyone who’s not caught up to episode 5….
Unfortunately, their end was just like mine with so many others. It’s honestly like watching myself on TV. No answers, but comforting somehow to know my personality is so closely shaped by my experiences. Here’s to bright futures with men who see us as equals instead of on a lonely pedestal. Not a pity party, just looking forward to what lies ahead!
Last week, the NBC primetime show The Mysteries of Laura did something I’ve been waiting for in media. The episode centered around solving the mystery of a biracial character, and this character’s ethnicity had absolutely nothing to do with the plot.
Each week, the lead character Laura Diamond (Debra Messing) catches the killer responsible for a recent murder. The premise of the show is largely nothing new, but it has a simple charm that makes for good Hulu entertainment while sipping morning coffee.
In this episode, titled “The Mystery of the Locked Box,” a billionaire tech genius named Zac Romero is found dead in his upscale apartment. Christopher Reed Brown, the young man who plays Zac, is of course not really part of the episode and has no lines, since he’s, well, dead. But the show does have Debra and her colleagues speak with Zac’s mother and father. The fact that Zac is biracial isn’t even known to the viewers until the entrance of his mother Rosalie, played by Linda Powell. Sure, we’d pretty well gathered that Zac wasn’t lily white, since his last name is Romero and his dead body has a slight olive tone. But Rosalie’s darker skin signals to viewers that this dead body belongs to a mixed race man.
While mixed race characters on TV have existed for quite awhile, what set this situation apart was the fact that Zac’s ethnicity had nothing to do with the plot, and that the film crew still felt it valid to let him exist, and to purposefully cast a black mother and a white father. Such planning is quite rare in the TV industry, especially if there is no takeaway in terms of story arc. Laura Diamond considers Zac and Rosalie completely representational of any other mother and son. She makes no reference to race, and she seems completely unfazed by this interracial family unit.
This episode also did interesting things to thwart stereotypical representations of minority characters. Zac gets to incorporate a space that is often not granted to black characters: He gets to be not a basketball player, or a musician, but a tech genius. If The Mysteries of Laura had followed standard representations, Zac would have been played by an Asian or Indian character, if they had used a minority at all. Normally if a black man plays a tech genius, it’s only because he has some ominous dark side, but Zac planned to give away a new invention instead of making an kind of capital on his product. Additionally, it’s Zac’s white father who plays the deadbeat. A selfish, lazy character who has recently reached out to Zac, only in an effort to acquire his wealth through their shared bloodline.
The media has a long way to go in its representation of mixed race characters, but this episode shows me that one of my biggest wishes may come true. While it may seem unfeasible, my dream is to see a novel about a biracial character that has absolutely nothing to do with race. Instead, this character would get to exist just like any other, and he or she would get to tell a story from a place of full agency, where race doesn’t have to be the fabric that holds the plot together. Perhaps I’ll write my own book someday and fulfill my own wish. In the meantime, I’m glad to see these seemingly small but significant strides.