I’ve been meaning to post this for what seems like forever! On March 10, I got an article published in the New York Times, called “My Grandmother’s Story Is Ending as Mine Begins.”
My grandmother knew she’d succumb to dementia long before she began to lose her memory, as her two older sisters had shared the same fate before they died. She fought against time to write her life story, but she will never see her dream realized.
While you’re here, I recently got another article published, this time in Ravishly, called “‘This Is Us’ Mirrors Watching My Absent Black Father Die of Cancer.”
I have a penchant for multigenerational family dramas. Brothers and Sisters, Parenthood, Six Feet Under — they all make me feel connected to my own family, which is more like Full House than The Brady Bunch. Aunts, uncles, cousins, and a strong matriarch make up the fabric of my day-to-day life. So when This Is Usdebuted, I was all in. What I didn’t expect is that it would touch my heartstrings in a way I hadn’t prepared for.
Beginning in 2006, I slept 12 hours most nights and often took a two-hour nap in the afternoon. I wasn’t lazy — I was exhausted. I talked slowly, moved slowly and had difficulty driving because my brain couldn’t keep up…
Historically black Talladega College was widely criticized for its decision to have its marching band participate in President-elect Trump’s inauguration parade. Much of the uproar has to do with black colleges’ roots in combating unequal education, a feat that many argue will deteriorate under Trump’s presidency…
By now, just about everyone has heard of the 2016 film Hidden Figures, starring Taraji P. Henson, Octavia Spencer, and Janelle Monáe, who portray of a group of black female “computers” at NASA’s Langley Research Center. The film, which has already garnered a number of awards, cast these once unsung pioneers into the public eye…
As I binge-watched Gilmore Girls: A Year in the Life, every so often, I checked my email to see if my article about the original series had been accepted for publication. This constant tug at my attention felt surreal, as the protagonist Rory was going through the same anxiety throughout much of the revival…
I didn’t want to cry. I had seen the trailer for Loving, and honestly, I was afraid it was going to be a subpar movie. Partly because I thought the trailer sentimental in a Hallmark-y sort of way, and partly because I wasn’t sure Hollywood could do an interracial story justice…
That’s about it for now! You can see more of my articles by clicking on the “Portfolio” tab at the top of this page.
I can’t watch TV without noticing race. I know when the first black extra gets a speaking role on a certain show. I’m aware of whether a white character is dating an Asian, an Asian character is dating a black person, an Indian is dating a Russian… well, you get the picture. So when I checked out some of the new shows in this season’s lineup, I definitely had my subconscious antennae up and wondered if they would satisfy my mixed race reality. I was pleasantly surprised, for the most part.
I’ve never been that interested in time travel shows, or at least those that go back in time instead of forward. Let’s be honest, if you’re a person of color in the United States, it’s best to stay in the present. Even if I get into a classic movie like Mansfield Park, I’m suddenly separated from the protagonist at the first mention of slaves.
The creators of Timeless either naturally wanted to appeal to my demographic, or they did so in order to boost ratings. Whatever their motives, it seems to have worked. Rufus Carlin, played by Malcolm Barrett, is a genius coder who flies the time machine, as he and his companions try to thwart a possible villain at crucial moments in history. Carlin gets to tell off racists of past centuries while, of course, hoping not to get shot dead in the process. Since he’s a central character and not another Rue, I’m guessing he gets to live.
There’s nothing extra special about Notorious race wise, but it does co-star one of my celebrity crushes, mixed race actor Daniel Sunjata. He plays opposite Piper Perabo’s Julia George, and the two have a professional yet flirty relationship as a news producer and a criminal defense attorney, respectively. While the race representation in this show is fairly standard, I’m enjoying seeing a mixed race lead.
One thing that does leave me wanting, though, is the portrayal of Sunjata’s brother Bradley Gregorian, played by J. August Richards. It’s not apparent what Richard’s role is yet, given he only gets about five lines an episode, if that, and mostly to give Sunjata’s character Jake Gregorian an emotional compass. It’s also slightly annoying that Richards and Sunjata look nothing alike, and not just color wise. It’s as if the casting director thought, “Here’s another black actor. He’ll do for the brother,” without considering that not all black people look alike.
I couldn’t get past the first episode of The Good Place, and even that was a bit excruciating. It’s not so much the race representation in this show that leaves me wanting; rather, the storyline just seems a bit (very) bland. However, it does irk me that the central conflict seems a cheap knockoff of Selfie, which was tragically cut short after one season. Both shows center around a white female protagonist who tries to be good through the influence of a male protagonist of color.
In Selfie, Karen Gillan and John Cho’s characters had sexual tension that put the storyline into the well-known “will they or won’t they” category, which worked for this couple. However, in The Good Place (at least through the first episode), Kristen Bell’s Eleanor Shellstrop has no redeeming qualities and no interest in her “assigned soulmate” Chidi Anagonye, played by William Jackson Harper. Instead his whole purpose is to teach Eleanor how to be good in the afterlife. Jackson, from Texas, also loses his “Nigerian/Senagalese accent” before the first episode is over, and no one seems to mind.
By far my favorite new show of the season, This Is Us is a sentimental drama about a nontraditional family. The narrative takes place in two different timelines–the present day and the 1970s, and it centers around two white twins and an adopted black baby who was born on the same day and raised with them. The narrative doesn’t gloss over the racial implications of an ethnically blended family, which includes K. Sterling Brown as the adopted son. Nor does it shy away from displaying race-based tension within the family structure itself.
Brown’s character Randall was raised lovingly by his white family, but still desperately seeks to know his troubled black father who’s dying of cancer. It’s a storyline all to familiar to me: it’s one I’ve lived. This Is Us‘s blending of Shonda Rhimes-like racial exploration with Parenthood-like sentimentality makes for the perfect fall favorite.
I look forward to the next episodes of each of these shows (well, except The Good Place), and I’m enjoying seeing plotlines that include relatable roles.